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I picture this timing likely created throughout the Palladium age but I have not verified that. Eddie Torres began showing and promoting this timing beginning in the 1980's, from what I understand. He was mentored by the late June Laberta, a ballroom dancing teacher, who assisted him create his technique and timing.
The tale I'm consistently told right here, that still calls for additional investigation, is that as salsa started getting to brand-new audiences beyond the Caribbean and New York, it was simpler and more instinctive to educate cultural outsiders to dance On1 in contrast to On2. This tale doesn't account for the truth that I have actually heard Rueda de Casino site was initially danced a tiempo On3 in Cuba.
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Salsa On1 is just one of numerous salsa timings you can dance to and it is the most common timing you'll discover in the world today. Salsa On1 timing definition: "On1" implies you begin dancing on the first beat of bench of music the 1. Your break actions (instructions adjustments) are on beats 1 and 5.
The exceptions I have actually found up until now, where On2 is most common, would certainly be around New york city and in South Korea (Bachata San Francisco). I'm certain there are various other locations that dance mostly On2 yet I haven't danced in every nation! If you're unsure what timing is most common where you live, ask your local dance studio
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When someone says "I dance salsa On1" they possibly indicate "I dance linear style salsa On1" (although you can dance any kind of style of salsa On1, people usually suggest straight style). Do not stress if you have actually claimed these points in the past, it's all excellent most of us have! The essential thing is to keep in mind there's a difference between style and timing and grow your understanding so you can be a lot more exact when chatting concerning salsa with your good friends.
It links perfectly with the wording in the songs, especially the piano, and other percussion tools like the cow bell and giro. Timing and design are 2 different things, so separate the concepts when you speak concerning salsa with your buddies. No matter what timing read the full info here is most common in your area of the world, remember you can practically dance any design of salsa to any type of timing explore and enjoy! Desire a lot more? Take a look at this deep dive on the distinction in between dance salsa On1 vs On2 when dancing a tiempo.
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There is an original mambo dancing that came from Cuba and then spread to Mexico and New York in the 40s and 50s, these days when a person states "I dance mambo" they indicate salsa On2, which is different than the initial mambo dance. The erratic free-from actions of the initial mambo were danced solo.
As the dancing started to spread out, On1 timing began to end up being prominent. Salsa On2 interpretation: "On2" implies you start dancing on the first beat of the bar of songs the 2.
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Historically those are the instruments that a son cubano dancer connected with and that was passed on to mambo and salsa. A whole lot of professional dancers appreciate dancing On2 for the varied ways you can link to the music. This is the original kid cubano and mambo timing. Kid cubano is the music and dancing that preceded mambo and salsa.
It connects well to the clave, bass and conga - Salsa San Francisco. Cha-cha is much like dance On2 contratiempo but you add the triple action on 4 and 8. Although danced to the exact same beats as On1, your break actions are now on 2 and 6, which transforms the feel of the dancing.
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It links well with the conga and cowbell. https://www.pubpub.org/user/evan-margolin-4. This timing is almost similar to contratiempo On2 however the steps that are normally on 4 and 8 are on 4. 5 and 8. 5 rather half a beat later on, which lines up with the syncopated tone of the conga. It's virtually like a timing in between a tiempo and contratiempo.
5 instead of 5) you're dancing this syncopated timing. In truth it appears it's frequently danced as kind of a "blunder" for anybody dancing the previous two timings.
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As discussed earlier, this was the first interpretation of dancing on clave (son clave), where the Puerto Ricans would align their front break with the 2-side of the clave rhythm while dancing On2 contratiempo. The concept is to line up as lots of steps of your basic as possible with the strikes of the child clave.
Naturally, people have actually found a way to dance on virtually every timing possible to son and salsa music. People dance On3 for the exact same reason you dance On1 due to the fact that it highlights the strong beats of 1-3-5-7.
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Allow's take a look at the beats you dance On1 to: -2-, -6- (strong beats are in bold) Let's check out the beats you dance On3 to: -4-, -8- (strong beats are in vibrant) Notification just how the solid beats are spaced exactly the exact same for On1 and On3? All you do is begin stepping On3 instead of On1.
That's why dance On3 is so common in Latin America. People either Try to dance On1 but begin stepping On3 by crash and it works out simply fine, or They do not understand much regarding timing and are just translating what they listen to in the music, based on their experience maturing in a society with salsa.
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